Black Potter - Face Jugs

History of the Face Jug

Some many years ago while attending a gathering after a family funeral, I found myself intrigued by a conversation between my father and some elder family members. They were talking about something called face jugs and how they related to our family history.

This is the face-jug oral history as it was passed down in my family, the McDowell-Poston family. My father, James T. McDowell, Sr., told me the story as he received it from his father, Boyce McDowell, who was a tombstone maker in Gaffney, South Carolina, and he got it from his father, my great-grandfather who lived during slavery times.

Slaves were not allowed to have tombstones, they said, so face jugs served as their gravemarkers. My great-great-great-great Aunt Evangeline was a village slave potter in Jamaica. She made face jugs, too. The story handed down from Evangeline was that slaves placed personal items on their loved ones' graves along with face jugs. The ugly face on the jug evolved something like this: Slaves from Africa revered their ancestors and participated in ancestor honoring, or what we might call ancestor worship. African slaves were taken to the Caribbean to be acclimated and there they picked up the religion of voodoo.

Eventually ancestor worship, voodoo, and Christianity amalgamated into the tradition of the face jug. Many slaves who came to this country converted to Christianity and acquired a belief in the devil. They combined all their beliefs and came up with the ugly face jug. Apparently it had to be ugly enough to scare the devil away from your grave so your soul could go to heaven. My father gave me a face jug he acquired on a trip to Jamaica several decades ago. It is crudely made with rough features and I treasure it.

Some researchers from the Smithsonian contacted me once to see if I could add anything to their studies of face jugs. They told me of meeting an old black farmer in the South who took them out into a field believed to be a slave burial ground. He showed them shards of face jugs in the earth.

This topic has no written history, but the oral tradition in my family, along with other information I've gleaned, is my inspiration for the face jugs I create. I put a cigar in the mouths of some face jugs. Slaves were not allowed to smoke so this signifies defiance, the man who does not consider himself a "boy," and of course delivers, symbolically, a strong epithet to the slaveholder. I remember all of these things when making a face jug. I add stained glass to some of the jugs so that when they are fired it streams down like tears.

When I started making face jugs about 15 years ago I heard about Slave Potter Dave from Edgefield,South Carolina, who could read and write and I was drawn to his story. Dave was owned by publishers of a newspaper. In the face of adversity and under the risk of severe punishment, this slave potter created jugs with rebellious sayings on them. Although there are no accounts that he ever made face jugs, I wanted to honor this courageous man and keep the tradition and spirit of Slave Potter Dave alive by writing messages on my jugs as Dave had done.

I make face jugs to pay homage to my ancestors, those who survived the Middle Passage.

~Jim McDowell

Jim McDowell is the Black Potter

specializing in one-of-a-kind wheel-thrown, hand sculpted face jugs

Jim McDowell believes himself to be

the only black potter who creates face jugs from far reaching ancestral traditions as well as

from his own family lineage.

Each piece is an original creation that speaks to the artist's thoughts on bondage and freedom,

inspired by African-Caribbean customs and slave life in early America.

How to Order

Contact Jim McDowell

412-871-5459 or email jim@blackpotter.com